Mowing

I begin mowing in May and generally end after the last leaves have fallen in autumn. I use a mower which I’m slowly beating to death, a push gas powered doohickey. Since the terrain isn’t estate lawn flat, the wheels are usually the first to go. Right now the rear wheels are running slouch-wise, the left rear wheel rubbing against the metal base.

Most people have a simple grass yard they mow. A half hour to an hour and they are done. In rural areas mowing can be a time-consuming chore. I remember sitting at one party and hearing men talk about how many hours they mow each week. It’s not that bad here since our “yard” is mostly shaded. I have yard in quotes because there are actually several yards, or areas. Plus I’ve been mowing the yard of a house we have down in the hollow until the people we are renting it to move in. That yard is in full sun so mowing is done each week, just an hour or so.

My partner once counted the trees in our yard and came up with over 200 including saplings. It’s a big yard with our home and five outbuildings (two are small, three are large). There is also the old garden which we are slowly letting return to nature; there are two outbuildings on the north edge. The garden itself has another outbuilding. And there are also two roads I mow, maybe a quarter mile each with the same push mower. It’s a hike and since we’re in West Virginia it is not flat.

The yard, old garden, and roads are in shade and they have to be mowed about once a month until late summer and infrequently after that until I have leaves to deal with from all the trees. The new garden, a clearing in the forest that surrounds us, gets mowed more frequently since it’s in sun, about every two weeks until autumn.

The yard is mostly moss and mowing is just to keep the weeds down. There are a lot of wildflowers I dodge with the mower, bluets and may apples in early spring, wild orchids and ferns which pop up everywhere, Solomon seal and false Solomon seal, and all the hostas and daffodils we’ve planted over the years and are spreading on their own. Our yard is surrounded on four sides by a firebreak, the road being part of the firebreak. We often have bits of forest between the yard and firebreak so the yard includes the firebreak too.

Before mowing I have to go around the yard (and the roads) picking up sticks and tree limbs from all the trees. In autumn once leaves start to fall I rake and haul leaves to our compost piles. Some piles require unchopped leaves so I gather those before I use the mower to chop dried leaves to lessen the accumulation. I probably spend more time dealing with leaves in the yard than I spend all summer mowing. If we left the leaves the moss would disappear and we’d have to worry about the forest fire hazard in autumn and spring. Bad forest fires burned a small corner of our property in the eighties. We lived in another state and drove down to work on the fire lines then. We’d started building, had the shells of two outbuildings completed. That fire was hot, just the largest trees were left standing, topsoil was gone and just clay was left. The next spring that area was filled with young sassafras saplings, the forest regenerating itself. That’s a bit of history for us, a memory. Like the memory of a person on the fire line moving a turtle to the safe side of the firebreak. And the memory of walking through dense smoke in a burned area, trees still burning.

It’s forest here but wasn’t always. During the Civil War some men deserted from the Union troops who had a camp down in the hollow; the camp’s location can be seen noted on old maps as Yankee Camp. The men fell in love with women here and moved to the ridge where they cleared the forest for their homes and fields. The new garden is in one of those once cleared areas, a pine forest now changing to hardwood with large hickories. Before that War there were other inhabitants. We’ve found delicate bird points and other flint artifacts in our yard and nearby. A neighbor while showing us a spring down in the hollow to the west of our home told us as a kid old timers described hunting Indians like deer. That is something that should be remembered.

Another neighbor years ago talked about living in the hollow to the east of us and as a young girl would hear on Sundays people walking the ridges to church singing hymns.

The world is layered, history and memory, wilderness and not wilderness, and the things we barely see.


More from the Museum

A while back I had a post with a little about what I call our Museum. Here’s a bit more, but just one photo.

I became enthralled by woodworking around 1980. I found a book at a local university library about early French Canadian furniture and that gave a push. We lived in a house which was barely furnished. I like to do things with my hands.

Woodworking at first was a huge challenge. I had almost no tools of any sort. I didn’t have a place in the house to do woodworking. I had a tight budget.

My first tools were the sort of things one would find at a hardware store. Mail order catalogs soon provided a much broader range of tools to choose from. I gleefully chose; I have an unused pit saw stored away—sometimes desire overwhelms reality.

The best source of tools ended up being antique stores and flea markets. The old stuff was better quality and was economically priced. That led me into the tool collecting world where collector gatherings, tool catalogs, and auctions were even better sources.

Early on while learning the craft I decided to focus on woodworking done solely with hand tools. I cheated a bit with an electric drill used for odd occasions (I much prefer a brace and bit). All the sawing, planning, shaping was done with hand tools and I loved it.

The collection broadened to include not just tools I was using but also reference tools and tools a woodworker in the late eighteenth century owned. I fell in love with the plane and all its varieties and that’s what the photo shows. The top plane is circa 1800 English, the plane lying on its side is circa 1800 American made by Nicholas Taber of Massachusetts. That’s the same plane shown in the Museum post. These bits of history are my way of better understanding the common person and their world. The other two planes are early nineteenth century American. One is a special type of sash plane with two blades for sash window bars.

Over the years I made furniture for our home and used some of the same tools and techniques to build our current home. I do less woodworking now, but oh how I still do love it.


Four-up Willie Photos

Sometimes there appear in the marketplace four-up prints of John Willie LA bondage photographs. The overall print size is 8×10 inches, which has four 4×5 inch prints. The LA bondage photos were produced as contact prints from negatives. Willie then cut these down to 4×10 (two-up) or 4×5 prints to be put into sets to mail to customers.

I have several four-up prints of photos from model sets of Pat and Judy taken in 1960. A four-up print of photos of June was included in mailings of John Willie’s comic The Race for the Gold Cup as a promotion for his bondage photos.

One four-up of Pat that I have includes two outtakes for the set of photos that included those of Pat bound to a bench. These are the two on the right.

The two on the left are from another set produced at the same time. J. B. Rund reproduces the full set of 12 photos of Pat bound to a bench on pages 348 and 349 of Possibilities: The Photographs of John Willie (2016).

It’s possible that Willie used these outtakes in later mailings, removing two of the photos that appeared in the published set.

Possibilities: The Photographs of John Willie is one of the essential books for the work of John Willie. It is available from the publisher.


Writing on the Back

The original Feral_Rabbit blog was associated with my website devoted to my collection of John Willie LA bondage photographs. Both that blog and the website no longer exist. The website has been superseded by J. B. Rund’s Possibilities: The Photographs of John Willie. The blog was replaced by the Badrabbit blog on LiveJournal and now here.

One of the posts in the old blog was about inscriptions found on the backs of some of the John Willie photographs in my collection. Some of the inscriptions were made by Willie. Others were made by people who worked for Willie and handled mailing of ordered photos and/or those who ordered the photographs.

The first groups of bondage photographs offered in Willie’s flyers (J. B. Rund has kindly shared his collection of these rare flyers) were sets of June photographed in 1958 and Doree photographed in late 1958 or early 1959. These were lingerie bondage sets, there was no nudity. Many of the photographs I own from these sets have inscriptions. Here’s one on the back of a photograph of Doree in ink. The photographs of June and Doree that are inscribed in ink are in this hand.

Other photographs in these sets have penciled inscriptions showing first initial of the model and set number. This is another photographs from Doree set number 1.

Around June or July 1959 Willie offered sets of photographs which included models bound on a St. Andrew’s cross. Some of the photographs I have from these sets have the model’s name and a set number according to the order of sets in Willie’s flyer. These inscriptions are in pencil. Generally there is just a set number on the back, just one photo in the set has the model’s name and set number.

There is one photograph in my collection that has an inscription that is obviously in Willie’s hand. The set of Lorie photographs was shot in 1960 and consisted of 8 lingerie bondage photos.

Willie called Doree’s photos shot in mid-1959 and later Doree (B). These sets were released in groups of 12 photos, unlike the lingerie bondage sets of 8. There was nudity in Doree (B) sets. Amongst the last photographs Willie shot were the 4 sets of Doree (B) in late 1960 or, most likely, 1961.

I have one photograph with a rubber stamped inscription on the back, along with a initials in pen, probably by Willie.

There is another photograph in the collection with a pen inscription showing the set number.

As an aside, I created a personal html catalog that I host on my computers for reference. I’ve organized the collection of photographs according to different criteria and include information about inscriptions found on the back of photos. This catalog is not available online.


Old Favorites

Like a comet I have a long tail, elements of my past, following me. Mostly these elements are my memories, sometimes there are artifacts. The most common artifacts are books and recently I’ve been digging out of storage books I started reading when I was in high school. Started reading because periodically I reread them. I’m a comet who turns around and loops through their tail more often than pursue a straight course.

My extracurricular reading interests in high school were science fiction, archaeology, and old and middle English. I’ve branched out since then but those are still pretty much a large part of my core. There weren’t many back then with the same interests, hard to believe considering how popular science fiction is now.

I have 18 gallon bins full of science fiction paperbacks. Simak was a favorite author as was Panshin.

I read a lot Heinlein back then. The books I end up returning to are The Door Into Summer and Double Star. Ace Science Fiction Specials with their distinctive covers by Leo and Diane Dillon were sought after.

With the libraries closed in our area I’ve increased the numbers of stacks of books in our home with piles of science fiction favorites alongside other new piles of books of other genres. There’s a lot of comfort in having a good reread.